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The gold fibula comes from Tomb 1 of Tumulus II at Sodo, one of the most important funerary complexes of Etruscan Cortona, dating between the 7th and 6th centuries BC. Discovered in the area where the Archaeological area of Sodo stands today and preserved at the MAEC – Museum of the Etruscan Academy and the City of Cortona, it is an emblematic example of the dialogue between landscape and museum: what originated in the ancient territory continues to tell its story within the exhibition galleries.

Dating to the second quarter of the 6th century BC, the fibula has a bow shaped as a crouching panther, rendered with extraordinary plasticity. The rectangular catchplate, elongated and flattened, ends in a finely modelled feline protome; the spring and pin are made of simple gold wire. The lower edge is finished with a notched wire articulated into two small spirals, while the upper part is decorated in granulation with the representation of the so-called Tree of Life.

Its technical quality reveals workmanship of the highest level. Granulation, achieved by applying tiny gold spheres soldered to the surface, testifies to the extraordinary skill of Etruscan goldsmiths, among the most refined in the archaic Mediterranean. An object of this kind points to aristocratic patronage, as well as to the workshop’s access to trade networks and to a structured and dynamic society.

Its iconography is equally significant. The panther, widespread in Orientalising and Archaic visual language, evokes symbols of strength, protection, and prestige, while the Tree of Life, of Near Eastern origin, alludes to regeneration and continuity between the earthly and the afterlife. In a funerary context, these elements take on a particularly intense symbolic and identity-related meaning.

The fibula is therefore not merely an ornament: it is a sign of power, belonging, and cultural connections. From the aristocratic tumulus to the contemporary museum, this masterpiece tells the story of the wealth, ambitions, and identity of Etruscan Cortona, strengthening the deep bond between the archaeological heritage and the city today.

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  • M. TORELLI, Fibula, in Museo 2005, p. 174