{"id":7157,"date":"2026-04-08T12:37:22","date_gmt":"2026-04-08T10:37:22","guid":{"rendered":"https:\/\/cortonamaec.org\/senza-categoria\/adoration-of-the-shepherds-gigapixel\/"},"modified":"2026-04-08T12:47:53","modified_gmt":"2026-04-08T10:47:53","slug":"adoration-of-the-shepherds-gigapixel","status":"publish","type":"post","link":"https:\/\/cortonamaec.org\/en\/multimedia-en\/adoration-of-the-shepherds-gigapixel\/","title":{"rendered":"Adoration of the Shepherds | Gigapixel"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><iframe title=\"Adorazione dei pastori\u201d frameborder=\" allowfullscreen=\"\" mozallowfullscreen=\"true\" webkitallowfullscreen=\"true\" allow=\"autoplay; fullscreen;\" width=\"100%\" height=\"700\" src=\"https:\/\/cortonamaec.org\/wp-content\/uploads\/gigapixel\/adorazione_pastori\/index.html\"> <\/iframe><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:75%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.56%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:2.56%;--awb-width-medium:75%;--awb-order-medium:0;--awb-spacing-right-medium:2.56%;--awb-spacing-left-medium:2.56%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p data-start=\"385\" data-end=\"597\">In the quiet stillness of the night, the scene gathers around a single focal point: the Christ Child, lying on the ground at the center of the composition. Fragile yet radiant, he draws every gaze toward him.<br \/>The Virgin Mary kneels in contemplation, her hands crossed over her chest in a gesture of intimate devotion. Beside her, three shepherds lean forward in adoration: their sturdy, work-worn bodies convey a direct and deeply human form of reverence.   <\/p>\n<p data-start=\"385\" data-end=\"597\">Just behind them, a fourth shepherd introduces an unexpected narrative element. Rather than looking at the Child, he turns toward Saint Joseph, greeting him with an intense gaze and a firm handshake. This detail, characteristic of Luca Signorelli, expands the sacred scene into a more relational and everyday dimension, adding a secondary layer of storytelling.<br \/>On the right, the ox and the donkey emerge quietly from the shadow of the stable. In the background, to the left, an angel appears to the shepherds, evoking the moment of the Annunciation and introducing a temporal dimension within the pictorial space.<br \/>In the foreground, dark, finely rendered plants create a visual threshold, guiding the viewer\u2019s eye inward and enhancing the depth of the composition.  <\/p>\n<p data-start=\"1254\" data-end=\"1529\">On the right, the ox and the donkey emerge quietly from the shadow of the stable. In the background, to the left, an angel appears to the shepherds, evoking the moment of the Annunciation and introducing a temporal dimension within the pictorial space.<br \/>In the foreground, dark, finely rendered plants create a visual threshold, guiding the viewer\u2019s eye inward and enhancing the depth of the composition. <\/p>\n<h3 data-section-id=\"8qp94i\" data-start=\"1703\" data-end=\"1728\"><span role=\"text\"><strong data-start=\"1707\" data-end=\"1728\">Looking closely<\/strong><\/span><\/h3>\n<p data-start=\"1730\" data-end=\"1953\">A closer view reveals the remarkable quality of the painting. The preparatory drawing, executed with a brush, becomes visible beneath the paint layers, while delicate golden highlights animate the surface.<br \/>The figures, slightly exaggerated in their gestures and proportions, display the expressive tension typical of Signorelli\u2019s later works. The brushwork is confident and vibrant, strongly suggesting the direct hand of the artist.   <\/p>\n<h3 data-section-id=\"hlaie2\" data-start=\"2200\" data-end=\"2238\"><span role=\"text\"><strong data-start=\"2204\" data-end=\"2238\">An evolving composition<\/strong><\/span><\/h3>\n<p data-start=\"2240\" data-end=\"2486\">The painting develops a compositional solution already explored by Signorelli, such as in the Adoration of the Shepherds now in the Philadelphia Museum of Art, yet reworks it through significant variations in poses and relationships between the figures.<\/p>\n<p data-start=\"2488\" data-end=\"2876\">In particular, the interaction between the shepherd and Saint Joseph stems from an idea previously used in scenes of the Adoration of the Magi (such as the one in the Louvre), where Joseph becomes an active participant in the narrative. This device allows the Child to remain the visual and symbolic center, while enriching the scene with an additional narrative thread. <\/p>\n<h3 data-section-id=\"3syqed\" data-start=\"2883\" data-end=\"2908\"><span role=\"text\"><strong data-start=\"2887\" data-end=\"2908\">Provenance and attribution<\/strong><\/span><\/h3>\n<p data-start=\"2910\" data-end=\"3107\">The painting entered the collections of the Accademia Etrusca in 1933, as a bequest from Giulia Tommasi-Baldelli, whose family assembled one of the most important collections of Signorelli\u2019s works between the eighteenth and nineteenth centuries.<br \/>Previously considered a preparatory sketch for an altarpiece now lost, the panel is now regarded as an independent work, conceived for intimate and close viewing. <\/p>\n<p data-start=\"3310\" data-end=\"3607\">Its attribution has long been debated: while some scholars assigned it to Signorelli\u2019s workshop, others\u2014including Laurence Kanter\u2014have firmly supported its autograph status. The painting is generally dated between 1509 and 1513, in the final phase of the artist\u2019s career. <\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-margin-top-large:0px;--awb-spacing-right-large:7.68%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:7.68%;--awb-width-medium:25%;--awb-order-medium:0;--awb-spacing-right-medium:7.68%;--awb-spacing-left-medium:7.68%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-three\" style=\"--awb-margin-top:0px;--awb-margin-top-small:10px;--awb-margin-right-small:0px;--awb-margin-bottom-small:10px;--awb-margin-left-small:0px;--awb-font-size:22px;\"><h3 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;font-size:1em;--fontSize:22;--minFontSize:22;line-height:var(--awb-typography1-line-height);\">Information<\/h3><\/div><div class=\"fusion-text fusion-text-2\"><p data-start=\"230\" data-end=\"391\">Luca Signorelli, c. 1509\u20131513<br \/>\nOil on panel<br data-start=\"286\" data-end=\"289\">45.5 \u00d7 35 cm<br data-start=\"317\" data-end=\"320\">MAEC, Museo dell\u2019Accademia Etrusca e della Citt\u00e0 di Cortona<\/p>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Adoration of the Shepherds, Luca Signorelli, c. 1509\u20131513 Oil on panel. <\/p>\n","protected":false},"author":2,"featured_media":7151,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"categories":[45],"tags":[],"class_list":["post-7157","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-multimedia-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.3 (Yoast SEO v27.3) - 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